Perfect Teeth 3.3.8

This Sunday I had my second DJ night at Favorit Bar. This one's a little shorter than last time, but has no repeats. And very little pop. I'm gettin' there.

Tape 1 Side A (62:00, 57 MB)

The Malinke, "Solo for the Seron,"
     Music and Dances of Occidental Africa
Don Cherry & Ed Blackwell, "Makondi," El Corazón
John Coltrane, "Vigil," Transition
Eric Dolphy, "The Baron," Out There
Sunny Murray, "An Even Break (Never Give a Sucker),"
     An Even Break (Never Give a Sucker)
Pharoah Sanders, "The Creator Has A Master Plan," Karma
Bohannon, "Save Their Souls," 7"
Miles Davis, "On The Corner," On The Corner
Albert Ayler, "Free At Last," 7"
Don Covay, "Boomerang," See-Saw
Bobby Doyle, "The Girl Done Got It Together,"
     Fluchtpunkt San Franzisko
Sonny Okosuns Ozziddi, "Mother & Child," Mother & Child


Tape 1 Side B (62:00, 57 MB)

Sonny Okosuns Ozziddi, "Mother & Child," Mother & Child
Hugh Masakela, "The Boy's Doin' It," The Boy's Doin' It
Osibisa, "The Dawn," Osibisa
Art Ensemble of Chicago, "Theme De Yoyo," Les Stances a Sophie
Do You Understand The Word, "Help," Endless Journey Phase 3
Bo Hansson, "Black Riders,"
     Music Inspired By Lord Of The Rings
The Deep Freeze Mice, "No. 9," Obscure Independent Classics Vol. 1
The Chrysanthemums, "The Cheeping of the Robot Bees,"
     Little Flecks of Foam Around Barking
Jowe Head, "Cake Shop Girl," 7"
Beat Happening, "Cast A Shadow (live)," Diamonds and Porcupines
The Raincoats, ""No Side To Fall In," The Raincoats
Elton Motello, "Jet Boy Jet Girl," Victim of Time
Yen Artists, "God Be With Us Till We Meet Again," Yen Memorial
Acryl baby, "Iris Underground,"
     Obscure Independent Hits Vol. 4 (Special Japanese Edition)
John Carpenter, "The End (Remix)," 12"
Glenn Branca, "Lesson No. 1," Lesson No. 1


Tape 2 Side A (60:17, 55 MB)

Glenn Branca, "Lesson No. 1," Lesson No. 1
Rhys Chatham, "For Brass," Factor X
Mars, "Helen Fordsdale," No New York
Carsick Cars, "Rock'n'Roll Hero," 7"
Los Fabulosos 3 Paraguayos, "Atardecer," Volume 5
Os Teleco Teco, "Regina,"
     Toute L'Amerique Latine: chants et danses
Os Teleco Teco, "Peixe Vivo,"
     Toute L'Amerique Latine: chants et danses
Folk Musicians, "A las orillas del Titicaca," Los Incas!
Los Parra De Chillan, "Cachumbo,"
     Toute L'Amerique Latine: chants et danses
Folk Musicians, "Danza," Musical Atlas: Mexico
Baoule, "Duet for Flutes," Music and Dances of Occidental Africa
Laurie Spiegel, "Drums," The Capriccio Series Of New American Music
Mike Oldfield, "Blood Sucking," The Killing Fields
Philip Glass, "Vessels," Koyaanisqatsi
Megan Roberts, "I Could Sit Here All Day,"
     New Music For Electronic And Recorded Media
Petula Clark, "Downtown," Petula Clark

While listening to the tapes on headphones in order to write down the tracks played, a few things occur to me:
—The low-end sax sounds on "Boomerang" are great. I love that sound of what seems to be multiple baritone saxophones (maybe tenors) that shows up in a lot of 60s soul/rnb, like on the Supremes stuff.
—Eric Dolphy was using strings in a really interesting way a good 5 years before Albert Ayler or Ornette Coleman was.
—It's impossible not to tap your foot rapidly while listening to Help's "Do You Understand The Word." It's down to the four on the floor beat, and the fact that the bass line is syynched to it almost unflinchingly.